In
the 90s, vocalist/songwriter
Jenni Rivera
established
herself as a
major star in
the regional
Mexican market.
Rivera's specialty
is banda, which
is also known
as corrido and
is one of the
various Mexican
styles that
is extremely
popular in Mexico
as well as the
southwestern
part of the
United States.
Rivera is well
aware of other
Mexican styles,
such as norteño,
tejano, mariachi
and ranchero--in
fact, the Mexican-American
singer has recorded
norteño
versions of
some songs--but
banda/corrido
is her main
focus. And the
fact that Rivera
is a major female
star makes her
a rarity for
the banda/corrido
field. While
Mexican music
has had plenty
of famous female
artists over
the years--everyone
from Rocio Durcal
to Lola Beltrán
to Selena to
the controversial
Gloria Trevi--banda
has tended to
be male-dominated.
In the Mexican
market, Rivera
has been given
such titles
as La Diva de
la Banda (the
Diva of Banda)
and la Primera
Dama del Corrido
(the First Lady
of Corrido).
It should be
noted that not
all Latin artists
who use the
word banda in
their name actually
play banda/corrido
music; for example,
there are merengue
outfits with
names like Banda
X.
Although
Rivera is of
Mexican descent,
she didn't actually
grow up in Mexico.
Rivera was born
and raised in
Long Beach,
CA, the Los
Angeles suburb
that also gave
us gangsta rap
star Snoop Doggy
Dogg. Rivera's
parents had
immigrated to
the United States
from Mexico,
and she grew
up speaking
both English
and Spanish
fluently. Her
father, Pedro
Rivera, and
her brothers
both played
Mexican music,
focusing on
banda/corrido,
norteño
and ranchero--and
they did a lot
to encourage
her interest
in music. When
Rivera got to
college, however,
she didn't major
in music but
rather, studied
business administration.
Rivera went
on to work as
a real estate
agent, although
she kept a hand
in music and
helped her father
run his record
company. Working
in real estate
didn't prevent
Rivera from
pursuing a career
in music, and
around 1994,
she signed with
Capitol/EMI's
Latin division;
her first album,
Chacalosa, came
out in 1995.
Rivera made
a few more albums
for Capitol/EMI
(including Adios
a Selena) before
recording for
Sony's Latin
division in
the late �90s.
It was In 1999
that Rivera
signed with
Fonovisa, one
of the top labels
in the regional
Mexican market.
Her first Fonovisa
album, Que Me
Entierrren Con
la Banda (which
contained the
hit "Las
Malandinas")
came out in
1999 and was
followed by
early 2000s
releases that
included Dejate
Amar (which
included the
hit "Querida
Socia")
and Se Las Voy
a Dar a Otro.
In 2003, Fonovisa
released the
conceptual Homenaje
a las Grandes,
which may very
well be Rivera's
most ambitious
album so far.
The title Homenaje
a las Grandes
means "homage
to the great
ones,"
and the 2003
release finds
Rivera paying
tribute to famous
Mexican female
stars such as
Lucho Villa,
Mercedes Castro,
Rocio Durcal,
Lola Beltrán
and Alejandra
Guzmán.